Showing Records: 141 - 160 of 411
Film contract, January 1990
Film guide from Sundance Film Festival featuring Silent Tongue, 1993
Films, 1982-1998
Films in which Shepard performed, 1989-1998
Films written by Shepard, 1982-1992
Final corrected version, November 1994
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Final draft, undated
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Final draft/working rehearsal script with minimal annotations for Public Theater, September 1992-August 1994
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Final script of American Place Theater production, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Final Steppenwolf re-write, annotated typescript, 1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Final Version, April 1998
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
First draft, annotated typescript, October 31,1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
First draft, annotated typescript subtitled Life in the Wake, September 20, 1992-July 13, 1993
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
First draft May 1988, Virginia and August 1988 Natchidoches, La., 1988
First draft outline, annotated typescript, July 11, 1992
First draft (typescript)
Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.
Folder containing: crew resumes, production telephone messages, information about stuntmen, casting suggestions for “Reeves,” production schedule, and storyboard drawings by Michael Peal, undated
Folder containing final draft (March 1991) and re-writes, April4, 1991 and May 5, 1991. Heavily annotated typescript with music and sound cues, and rehearsal schedule for American Place Theater production, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Folder for Austin production: working script, rehearsal schedules, 1998
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Folder for Chicago production includes: correspondence, contact sheets, rehearsal schedules, and heavily annotated working scripts
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
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